Antique Wedgwood jasperware pendant in 18k gold (750). This piece features a central plaque of blue and white ceramic, also known as “Jasperware,” made in a cameo style. The depiction shows a profiled woman dressed in antique attire, holding a lyre, leaning against a column. The Jasperware plaque is signed “Wedgwood” on the reverse. It is framed in gold and natural pearls. The pendant suspends two natural pearls as pendants at the top and bottom. Pendant from the early 20th century, France.
Eagle head hallmark (french state hallmark for 18 karat gold), Wedgwood mark
Dimensions (including bail): 45 x 28 mm
Plaque dimensions: 17 x 10 mm
Condition: The white is slightly yellowed on the plaque
Learn more: The Wedgwood manufacture, founded in 1759 by Josiah Wedgwood, is renowned for its high-quality ceramics, particularly fine pottery and porcelain. It is famous for its artistic and technical innovation, including the development of “Jasperware,” characterized by delicate patterns and vibrant colors. Wedgwood played a significant role in the ceramic industry in England and has continued to thrive as an iconic brand over the centuries.
Art Deco Edwardian pendant 13 in 18-karat rose gold (750) and platinum. Lucky charm pendant featuring the number 13 at its center, set with 3 synthetic rubies and 4 rose-cut diamonds. These small lucky charm medallions were fashionable in the early 20th century, during the Art Deco period, around 1920-1930.
Traces of an eagle head hallmark
Dimensions (including the bail): 21 x 10 mm
Note : watch the video to get an idea of the size.
Condition: scratches from use
Large French regional clasp in 18-karat rose gold (750) and 14k gold (for the clasp ring). This large Normandy clasp is made of hollow gold. It is richly decorated with colorful enamels. On one side, three partially enameled flowers blossom in the center of the clasp within a cartouche. The cartouche is surrounded by a frieze of dots and semicircles. On the other side, a flower basket composed of pansies, wheat, a rose, and a tulip is featured within a blue enameled cartouche. The presence of pansies is typical of the iconography of sentiment jewelry from the early 19th century, signifying “think of me.”
This Normandy regional clasp is a French sentiment jewel from the early 19th century.
Shell hallmark for standing clasp ring
Clasp Dimensions: 35 mm x 19 mm.
Condition: Scratches from use, missing enamels, slight indentations.
Georgian Maltese cross chalcedony pendant in 9k gold. This antique reliquary cross is made of four chalcedony elements forming a cross, held together by a central gold element with delicate engraving. This central element likely originally contained a woven lock of hair beneath glass, although it is no longer present. The pendant has an intricately decorated bail. This Georgian cross t is from around 1820.
Trefoil hallmark
Dimensions: 60 x 34 mm.
Note: Similar Georgian Maltese crosses can be seen in the Victoria & Albert Museum in England.
Condition: Missing the central protective glass, some oxidation.
Antique reliquary locket pendant in 18k rose gold (750). On one side, the pendant is decorated with a miniature on paper depicting Saint Jerome praying before a cross, with a skull in the foreground. The miniature is protected by a beveled oval glass. The reverse features a chased oval mother-of-pearl plate adorned with a carnelian cabochon on red foil, set in the center of the composition. It forms the heart of Christ, in a radiating motif engraved in the mother-of-pearl. The medallion is decorated with fine chasing on the edge, which opens secretly by unscrewing the ring-like upper part. Antique medallion, probably French, dating from the late 18th century.
Owl hallmark (later add).
Dimensions: 43 mm x 25 mm
Condition: vellum miniature in poor condition, possibly restored or removed. Scratches from use.
Art Nouveau enamel brooch in yellow gold 18 karats. Brooch of triangular form with lines in “whiplash”, decorated with flowers of iris in the center. The work on the gold is particularly strong and delicate. In the openwork parts, the goldsmith has applied an enamel called “plique à jour” of a mauve color. The enamel is unevenly deposited and slightly milky. On the reverse side, the brooch is chiseled with a floral motif that also gives it movement. In the lower part, a hoop was added afterwards, which allows the brooch to be worn as a pendant. Brooch – pendant in plique enamel of the Art Nouveau period, circa 1910.
Owl hallmark
Dimensions: 29 mm x 25 mm
Note: the closing system works, with a security system.
Victorian French locket pendant in silver plated. An enamelled ceramic plate adorns the center of the pendant. It represents a woman in traditional regional costume, with her head bowed and her hands crossed, in front of the village church. Her traditional costume let us think that the woman is from Alsace, East of France, because of the large black bow which was worn here at this period.
Red glass stones surround the figure in a set of filigree. At the back, the locket opens to hide a lock of hair or a photograph of the loved one.
Height: 4.3 cm
Width: 3.1 cm
Condition: slight lack of the enamel on the left side of the ceramic.
*The antique gold chain is not sold with the jewel*
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