Coral lucky pig pendant set in 18 karat gold. Lucky pendant in the shape of a carved coral pig. The pig is a lucky animal, particularly in Germany. Circa 1960.
Eagle head hallmark and illegible goldsmith’s hallmark.
Georgian rectangular locket pendant in 18 karat gold. Rare rectangular-shaped pendant with two opening beveled glass plates between which a miniature, photo or souvenir can be slipped. The contour of the jewel is decorated with 45 natural pearls, approx. 2 mm in diameter. The pendant is supported by three chains. Antique opening pendant, 1st French Empire/ Georgian period, circa 1800/1810.
Later French owl hallmark.
Height: 7.5 cm Width: 3.8 cm
Condition: worn beads, slight scratches on glass
Weight : 16,27 gr
*The antique gold chain is not sold with the jewel*
French victorian cross pendant in 18 karat (750). Small religious cross called ‘croix bâton’, it is made of hollow gold. The arms of the cross are smooth and decorated at the ends with a sphere and a point. The top part is shaped like a fleuron and holds a ring for wearing as a pendant. Antique cross, early 19ᵉ century, French regional jewellery, Brittany.
Lucky black cat pendant in 18 karat gold. Pendant depicting a seated cat, enameled in black, blue and red, surrounded by small decorative bows. This is an early 20th century lucky charm pendant.
Eagle head hallmark (french state hallmark for 18 karat gold) and goldsmith’s hallmark
Victorian urn locket in 18k gold and silver. Rare opening pendant in the shape of an urn or vase with handles, set at the top with faceted glass (imitating a Dutch rose-cut diamond). The stone is original. The inside of the jewel contains a mother-of-pearl plate whose eglomized decoration has disappeared. The pendant is held by 3 antique silver and gold chains. The front of the pendant opens with a hinge. Antique pendant, Napoleon III period, circa 1870/1880.
ET hallmark (“Exempté de Titre”, hallmark used for foreign works between 1864 and 1893, regardless of title).
Height: 8.6 cm
Width: 3.6 cm
Condition: scratches from use, part of the mother-of-pearl plate broken (visible on the back)
Badine Perpignan garnet cross in 18 karat rose gold. Antique pendant in the form of a cross with two elements: a knot at the top and a large cross at the bottom. The two elements are linked by four fine chains. The lower part of the cross is mobile. The entire piece is set with 33 garnets on red foils, cut in round, oval and drop shapes. This is a typical piece of jewelry from the Perpignan region. The term “badine” indicates that the lower part of the cross is mobile. French regional antique jewelry, Languedoc Roussillon, Perpignan, early 20th century.
Owl hallmarks (french state hallmark for 18 karat gold)
Dimensions: 10 x 5 cm
Size of largest garnet: 15 x 10 mm
Condition: small dents, scratches and oxidation
Weight: 11.45 gr
Further information: These jewels were often worn on a velvet or silk ribbon, as in the “Portrait de Clara Salamo à la croix badine”, Paris, 1880, painted by A.Legras (see photo)
Egyptian scarab pendant in 14 karat rose gold. Pendant featuring a steatite scarab mounted on a pivot, the reverse engraved with a lion walking to the right, tail over back. The lion already appears on early Middle Kingdom scarabs, but is particularly popular during the Second Intermediate Period and the New Kingdom. Pendant dating from the 13th to 15th dynasties, 1650-1550 B.C.; late 19th century gold mount.
Shell hallmark (french state hallmark for 14 karats)
Normandy flowers enamel clasp in 18 karat yellow gold. This regional clasp is flat and rectangular. It features double decoration: on one side, two enameled pansies in a cartouche, surrounded by a blue frame; on the other side, a basket of enameled flowers in a cartouche, in a dark blue frame. Antique regional flat clasp, suitable for wearing as a pendant. French sentimental jewelry from the early 19th century.
Ram head hallmark (active between 1819-1838) and partial goldsmith’s hallmark.
Opal diamond pendant necklace in 9 karat gold and silver. Antique pendant composed of various floral elements set with 65 rose-cut diamonds, fine pearls and sapphires. An opal cabochon adorns the lower part of the pendant. Two natural round sapphires adorn the upper part of the jewel. Silver chain and round clasp. Belle Époque necklace, circa 1895.
Art Deco onyx diamond pendant in platinum (950). An oval pendant from the Art Deco period, with a faceted onyx mounting and a mother-of-pearl plate under a rock crystal. The rock crystal is decorated with an intaglio depicting a dance allegory. : a nude woman dancing and playing with a veil. This central motif is set in a platinum surround and decorated with scrolls set with twelve rose-cut diamonds. The bezel is adorned with a ring entirely set with diamonds (on both sides). Antique pendant, circa 1930, France.
Dog head hallmark (french state hallmark for 18 karat gold)
Height (with clasp): 59 mm Width: 29 mm
Condition: slight wear scratches, the back part may have been closed with another glass.
Georgian world globe charm in 18 karat and enamel. Antique pendant in the form of a globe on a black enamel base. The globe turns on itself, is enameled and represents the continents (Africa, Asia, Europe, North America, South America, New Holland), the oceans and seas (Indian Sea, Atlantic Ocean, Pacific Ocean) and the Tropic of Cancer. Antique globe pendant, circa 1830-1830, France.
Eagle head hallmark (french state hallmark for 18 karat gold) and OG or CG goldsmith’s hallmark.
George Pierre Art Nouveau necklace in horn. Long Art Nouveau necklace in carved blond horn, embellished with black and ochre inks, in the shape of annual honesty plant. The pendant holds a blond horn tassel also colored black and ochre. The necklace is made of black silk ribbon decorated with two black glass beads. Art Nouveau necklace by Georges Pierre dit “GIP”, circa 1910, France.
Signed on the reverse GIP for Georges Pierre
Length: 72 cm Design dimensions: 16 x 59 mm
Condition: paint missing, scratches from use
Weight : 14.75 gr
More details : Slices of horn were dipped in hydrogen peroxide to make them translucent, then bathed in chemicals to give a shimmering sheen to the wings or a rosy sheen to the petals. The pendants, sculpted and dyed with inks, were mounted on silk ribbons, cords or chains with pastel glass beads repeating the delicate hues. Elisabeth Bonté and Georges Pierre G.I.P., initially rivals, pooled their resources and talents before producing horn jewelry until 1936, when Bakelite became the preferred material for costume jewelry.
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